Sign Up For Our Free Grammar E-Newsletter

Say It Again, Sam

It has been a while since our last pronunciation column, so here’s another group of familiar words whose traditional pronunciations may surprise you. (Note: capital letters denote a stressed syllable.)

Antarctica  Like the elusive first r in February, the first c in this word is often carelessly dropped: it’s ant-ARC-tica, not ant-AR-tica.

Err  Since to err is to make an error, it seems logical to say “air”—but who said English is logical? The correct way to say err is to rhyme it with her.

Inherent  Properly, in-HEER-ent. Most people say in-HAIR-ent, but that’s wrong and we can prove it: How do you say adherent?

Covert  Most say CO-vert, rhymes with overt. But it’s traditionally pronounced CUV-ert, as in “cover” plus a t. You may not hear CUV-ert much these days, but it is still listed in the 2011 American Heritage Dictionary of the English Language.

Nuptial  It’s two syllables: NUP-shul. A lot of people, including many in the media, say NUP-shu-ul. How do they get “shu-ul” from tial?

Naiveté  Should be nah-eve-TAY. More and more broadcasters are polluting the airwaves by pronouncing this as a four-syllable word: ny-EVE-it-tay, ny-EVE-itty, or ny-EV-itty. The 1999 Webster’s New World dictionary lists only the three-syllable pronunciation, but the 2014 Webster’s New World has caved, giving the four-syllable alternatives unwarranted legitimacy. Charles Harrington Elster, in his Big Book of Beastly Mispronunciations, calls the four-syllable variants “illogical.” Elster’s point: naive is two syllables, and is one syllable. Since when does two plus one equal four?

Margarine  Relax, you’re saying it right. But when it was coined by the French in the 1870s, margarine had the same first two syllables as Margaret and the third syllable rhymed with clean. Yes, believe it or not, people used to say MARG-a-reen—hard g, plus “een” on the end.

Our 1941 Webster’s New International Dictionary lists but two possible pronunciations for margarine, preferring MARJ-a-reen over MARG-a-reen. So seventy-four years ago, it was not usual for the third syllable to be pronounced “in” rather than “een.”

Twenty-seven years later, the 1968 edition of Random House’s American College Dictionary listed “marj” and “marg,” and said the final syllable could be pronounced either “in” or “een.” And as recently as 1980, the American Heritage Dictionary listed “marj” and “marg,” but by then “een” was gone.

Standard pronunciations evolve, and margarine has done more than its share of evolving over the last 140 years. But today “MARJ-a-rin” has won out.

To comment on this grammar tip, click on the title.

Posted on Monday, June 15, 2015, at 12:23 pm


Singular They Part II

Despite curmudgeons’ howls, the singular they has become respectable. Many editors at the recent American Copy Editors Society conference declared themselves open to the once-frowned-upon use of they with a singular antecedent.

English is an often imperfect language that makes the best of its shortcomings. We say “none are,” despite the prominent one in none, because English has no other pronoun meaning “not any.”

And although the relative pronoun who can refer only to humans, its possessive form, whose, is routinely used with animals: a dog whose collar fell off and inanimate objects: a bridge whose view is unsurpassed. Not even the strictest language purist denounces the nonhuman whose because English lacks a corresponding word that refers to creatures and things.

Similarly, as the writer Ben Zimmer notes, “English sorely lacks a gender-neutral singular third-person pronoun, and ‘they’ has for centuries been pressed into service for that purpose.”

Last week we acknowledged the historical validity of they and its variants in sentences like “It’s enough to drive anyone out of their senses.” Then a reader informed us that singular they has become a practical way of addressing or describing those in the LGBT community who prefer they to masculine or feminine pronouns.

So history and contemporary life both make a credible case for singular they. But now, with the taboo lifting, expect unintended consequences. Writers will become increasingly sloppy with pronoun-antecedent agreement. Here is a sentence from a recent article by a professional journalist: “Neither Indiana nor any other state has described their religious-rights laws as discriminatory.” Change “their” to “its.” No gender issues there; the writer simply botched it.

When an antecedent includes or implies both sexes, old-school types sometimes must resort to the clumsy phrase he or she, himself or herself, etc.: Every student has done his or her homework. Writers despise he or she, which may be barely tolerable once but becomes preposterous beyond that: Every student has done his or her homework, and he or she will be expected to discuss his or her work in class. That hopeless sentence requires a complete rewrite.

An obstinate cadre of traditionalists will always resist singular they. “The solution here,” says Theodore M. Bernstein in The Careful Writer, “is to recognize the imperfection of the language and modify the wording.” Bryan A. Garner’s Dictionary of Modern American Usage concurs. Noting that singular they “sets many literate Americans’ teeth on edge,” Garner says “the only course that does not risk damaging one’s credibility is to write around the problem.”

Even with the recent acceptance of singular they, we suggest using it sparingly, if at all. When confronted with a sentence like Every student has done their homework, you only need a moment to come up with The students have each done their homework.

 

Pop Quiz

If you have misgivings about the singular they, try rewriting these sentences culled from the print media. Our suggestions are below.

1. Everyone involved was doing what they thought was right.

2. Any parent who has enrolled their child knows what to expect.

3. Sometimes in this business, when you come across a comedy legend, they come off as jaded.

4. Even if a hacker has your password, they won’t have the code.

 

Pop Quiz Answers

1. All those involved were doing what they thought was right.

2. Any parent who has enrolled a child knows what to expect.

3. Sometimes in this business you come across a comedy legend who comes off as jaded.

4. Even a hacker who has your password won’t have the code.

To comment on this grammar tip, click on the title.

Posted on Tuesday, June 9, 2015, at 4:12 pm


Media Watch

Here is another bundle of woeful lapses by the print and broadcast media.

• Triple trouble from an international news organization: “Garcia graduated law school in California and passed the state’s bar exam, but has been forbidden from practicing law.”

Using graduate as a transitive verb here is still frowned on by traditionalists. Make it “Garcia graduated from law school.”

The sentence would be tidier with a he before “has”: “but he has been forbidden …” And the final four words should be “forbidden to practice law.” The New York Times stylebook says: “Use to with forbid and from with prohibit: forbid them to attend; prohibit them from attending.”

• “Growing up near West Palm Beach, he and his mother lived in six different apartments.” The phrase “growing up” should describe the sentence’s subject, but note that there are two subjects, “he and his mother,” and his mother had already grown up. This is an unusual example of a dangler (the nemesis of callow or distracted writers). The sentence must be rewritten so that “growing up” applies only to “he”: “Growing up near West Palm Beach, he lived with his mother …” But that’s not all—why “six different apartments”? Aren’t all apartments different? “Six different apartments” seems to be an imprecise way of saying “six apartments at different times.” It would be better to write something like Growing up near West Palm Beach, he lived with his mother in six apartments over the years.

• “Neither the name of the victim nor the suspect was immediately released.” This sentence is ambiguous because of faulty parallelism. The sentence says the suspect was not released, but it wants to say that the suspect’s name was not released. We can make it right without changing a word: The name of neither the victim nor the suspect was immediately released.

• “The gift by Ronald Linde and his wife Maxine will go to support promising initiatives and research.” Why by? A book or a painting is by someone; a gift is from someone. And commas are needed around “Maxine”—since Mr. Linde can have but one wife at a time, we need not know her name to understand the sentence. In grammatical terms “Maxine” is nonessential (or nonrestrictive) information and therefore requires commas. So make it The gift from Ronald Linde and his wife, Maxine, will go to support promising initiatives and research.

*          *          *          *          *          *          *          *          *          *          *          *          *

NOTE: For more on faulty parallelism, see our February 2014 post “Simple Words, Fancy Label.” For more on essential vs. nonessential phrases and clauses, see our three-part series on the subject, which ran August 19, 26, and September 2, 2014.

You’ll find these posts on the GrammarBook.com website. On the home page, click on the Grammar Blog tab, scroll down to Monthly Blog Archives in the right column, and select the desired month and year.

 

Pop Quiz

The following are sentences recently heard over the airwaves. See if you can spot the errors. Answers are at the bottom of the newsletter.

  1. “The proof, they say, are in three text messages.”
  2. “She is in unchartered territory.”
  3. “Bacteria thrives in a warm environment.”
  4. “I’m neither a comedian or an aspiring comedian.”
  5. “He realized he had spoke too soon.”

 

Pop Quiz Answers

  1. “The proof, they say, is in three text messages.”
  2. “She is in uncharted territory.”
  3. “Bacteria thrive in a warm environment.”
  4. “I’m neither a comedian nor an aspiring comedian.”
  5. “He realized he had spoken too soon.”

To comment on this grammar tip, click on the title.

Posted on Tuesday, May 5, 2015, at 6:29 pm


Rewriting Great Poetry

The twentieth century produced no greater poet than Dylan Thomas (1914-1953). And Thomas produced no poem more powerful or impassioned than “Do Not Go Gentle into That Good Night.” You read that right: Thomas said “gentle,” not “gently.”

In the poem Thomas exhorts his dying father not to be meek when facing the end, but rather to “Rage, rage against the dying of the light.”

The poem’s title is also its opening line, a line which since its first appearance in 1951 has been “improved” by a host of armchair grammarians who prefer gently.

It happened again last week, in a sentence written by a damn good journalist: “You know what Dylan Thomas wrote about going gently into that good night.”

A 2007 documentary called “Do Not Go Gently” received the Gold World Medal in Humanities at the New York Festivals Film and Video Awards. I am sure the film is a fine piece of work, despite its bungled title.

An Internet search turned up this article: “Poem Analysis of ‘Do Not Go Gently into That Good Night’ by Dylan Thomas.” One can only hope that the heedless chowderhead who wrote that heading did not also write the essay. But just to be on the safe side, I didn’t read a word of it.

Another online expert proclaims: “OK, Dylan Thomas gets a pass, but if he were still in school and that were an assignment, his teacher would probably take off points. It should read, ‘Do not go gently.’ ” Well, no, actually it shouldn’t. This mastermind is the one who needs a remedial English class.

In Thomas’s poem, go is an action verb (see short essay below), which is why these clueless critics insist on the adverb gently. True, we modify action verbs with adverbs, but certain sentences complicate the issue. We could say Don’t go into that meeting angrily, but we could just as properly say Don’t go into that meeting angry.

Action verbs and adjectives combine forces all the time. In Joe sanded the table smooth, the adjective smooth describes table, not sanded. Same with The book is lying open: no one would argue for the adverb openly, even though is lying is an action verb.

There is a subtle but pronounced difference between go gentle and go gently. And great poetry raises subtlety to an art form.

Thomas would never have chosen gently because it trivializes and vitiates his message. As an adverb, gently lasts only as long as the action it describes. Thomas is concerned with much more than one finite action. By choosing gentle ((Do not go gentle = “This is no time for you to be gentle”), Thomas puts the focus on you, all of you; all of us. He implores us to be tenacious and unwavering as we brace for the battle no mortal will ever win.

Tom Stern

*          *          *          *          *          *          *          *          *          *          *          *          *



Action Verbs and Linking Verbs

Main verbs fall into two broad categories: action verbs and linking verbs. In a sentence with an action verb, A does B. In a sentence with a linking verb, A is or is like B.

An action verb describes something being done (He left home) or taking place (The building collapsed). A linking verb is a kind of equal sign. It connects a noun with an adjective (They appeared restless) or with another noun (Bill was being a jerk), or it fleshes out the subject (I remain your friend always).

Where action verbs take adverbs, linking verbs require adjectives. This is why it is incorrect to say I feel badly about what I said. When feel is a linking verb, we feel bad (adjective), not badly (adverb); we only feel badly when our hands are numb. And when we feel with our hands, feel is an action verb.

Many verbs we think of as action verbs can sometimes be linking verbs. In They were getting breakfast, it’s clear that were getting is an action verb. But They were getting sleepy makes were getting a linking verb.



Pop Quiz
Can you tell linking verbs from action verbs? Answers are below.

1. She looked fond of her husband.
A) In this sentence looked is a linking verb.
B) In this sentence looked is an action verb.

2. She looked fondly at her husband.
A) In this sentence looked is a linking verb.
B) In this sentence looked is an action verb.

3. Katie says that when she and Ana grow older, they will grow the best tomatoes in the county.
A) The first grow is a linking verb; the second grow is an action verb.
B) The first grow is an action verb; the second grow is a linking verb.
C) Both the first and second grow are linking verbs.
D) Both the first and second grow are action verbs.

4. When I turned to reply, her face turned red.
A) The first turned is a linking verb; the second turned is an action verb.
B) The first turned is an action verb; the second turned is a linking verb.
C) Both the first and second turned are linking verbs.
D) Both the first and second turned are action verbs.



Pop Quiz Answers

1. She looked fond of her husband.
A) In this sentence, looked is a linking verb. (She = fond)

2. She looked fondly at her husband.
B) In this sentence, looked is an action verb.

3. Katie says that when she and Ana grow older, they will grow the best tomatoes in the county.
A) The first grow is a linking verb; the second grow is an action verb.

4. When I turned to reply, her face turned red.
B) The first turned is an action verb; the second turned is a linking verb.

To comment on this grammar tip, click on the title.

Posted on Tuesday, April 28, 2015, at 3:30 pm


The Elusive En Dash

When a compound adjective precedes a noun it is describing, we often need a hyphen:
prize-winning recipe, twentieth-century literature. If a compound adjective comprises more than two words, we use as many hyphens as are needed: a three-day-old newspaper,
a dyed-in-the-wool snob.

But try to punctuate the compound adjectives in these phrases: a New York based artist,
a Charles Dickens inspired author, a post World War II novel. Most writers would take pains to avoid “New-York-based artist,” “Charles-Dickens-inspired author,” and “post-World-War-II novel.” Hyphenating open compounds like New York, Charles Dickens, and World War II feels wrong and looks weird.

Most of us would write New York-based artist, Charles Dickens-inspired author, and
post-World War II novel. We would respect the integrity of the compound proper noun, recognizing that a hyphen intrusion would not assist readers, and might confuse and distract them.

Some time ago, publishers decided that a hyphen was too puny to join open compounds to other words in a compound adjective. So they replaced the hyphen with the en dash, which is longer than a hyphen but shorter than a long dash. Here are en dashes in action:
New York–based artist, Charles Dickens–inspired author, post–World War II novel.

Most books and many magazines would pick the en dash over the hyphen in those three examples. The en dash is used for other purposes too. But you won’t find this mark in most daily newspapers—there is no mention of the en dash anywhere in the Associated Press’s influential stylebook for journalists. In fact, the most respected reference books and style guides of the twentieth century give short shrift to the en dash. H.W. Fowler’s Modern English Usage does not acknowledge its existence. Neither does Theodore M. Bernstein’s The Careful WriterWilson Follett’s Modern American Usage gives the en dash two sentences, and discourages its use.

Before the age of computers, only professional printers could make en dashes; everyone else muddled through with hyphens. Many people have never heard of en dashes, despite having seen them a thousand times. The irony is that although the en dash mostly goes unnoticed, its function is cosmetic. It resolves no ambiguities. It clears up no confusion. It does nothing that a hyphen can’t do and hasn’t done, except to look a bit more symmetrical in certain constructions. It is an elegant flourish that most readers haven’t been trained to recognize, let alone benefit from.

*          *          *          *          *          *          *          *          *          *          *          *          *

If the en dash seems right for you, here is how to type one. On a PC, hold down the ALT key and type 0150 on the numeric keypad located on the far right of the keyboard. On a Mac, hold down the Option key and type the minus sign located at the top of the keyboard.

 

Pop Quiz

Supply the necessary punctuation. Answers are below.

1. Toby is a four year old terrier.
2. The apartment featured a bowling alley length hallway.
3. It was a Star Wars inspired fantasy.
4. The dessert had an ice cream like texture.
5. My terrier is four years old.

 

Pop Quiz Answers

1. Toby is a four-year-old terrier. (two hyphens)

2. The apartment featured a bowling alley-length hallway.
(OR bowling alley–length OR bowling-alley-length)

3. It was a Star Wars-inspired fantasy.
(OR Star Wars–inspired)

4. The dessert had an ice cream-like texture.
(OR ice cream–like OR ice-cream-like)

5. My terrier is four years old. (CORRECT)

To comment on this grammar tip, click on the title.

Posted on Tuesday, April 14, 2015, at 3:40 pm